In their small, simple house made of cinder blocks and corrugated iron, the couple lives with Mamargade’s sister, Araweelo
A newly formed family faces challenges as they pursue individual goals and navigate the complexities of modern life, relying on love, trust and resilience to guide them. Along a deserted beach, beneath the wind and waves, a father and son, Mamargade and Cigaal, enjoy a little bliss in nature. Such precious moments are few and far between the many jobs, drone strikes that bring death from above, checkpoints and employment payments that take months to materialize, if they ever do.
Cigaal dreams of light
Araweelo dreams of making and selling her own clothes. As a single woman, she can’t get a loan, so Araweelo hatches a plan to circumvent regulations. The stakes are immense.
The Village Next to Paradise premiered at Cannes
“All my life I try to make things better,” Mamargade says, “but I keep making mistakes.” When unhappiness overshadows virtually every aspect of daily life, it’s impossible to avoid “mistakes.” Yet this humble, hard-working trio never stops trying and hoping for luck, their own business, time at the beach, school funding and better days. “This is the first film shot in Somalia,” said director Mo Harawe, who attended this North American premiere at the Toronto International Film Festival. Harawe collaborated with the Paradise community to make the film and employed non-professional actors.
The investment in Somalia paid off in terms of the film’s authenticity
The ambient sound of radio music, traffic, waves and wind also contributed to the film’s realistic character. “The wind is a character,” Harawe said, “so the human characters are never alone. » Culture is also a character and I enjoyed immersing myself in Somali songs, stories and landscapes.
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